"L'ÉTAT, C'EST MOI!" (THE STATE IS ME!)
The reign of Louis XIV, known as the "Sun King," is the ultimate expression of the era of absolutism. His majestic portrait, painted by Hyacinthe Rigaud, is not merely a depiction of a monarch, but a manifesto of power, style, and control. It set the tone for all of Europe for centuries to come.
It is impossible to speak of the Sun King without mentioning his main architectural masterpiece: the Palace of Versailles. It was more than just a residence; it was a tool of governance that transformed independent aristocrats into courtiers vying for a place near the Sun. It was a golden cage for the elite.
The Portrait as a Political Instrument
The painting we examine is a prime example. Majestic purple velvet, a proud gaze, shining armor, and, of course, red heels. Every element here is a symbol. The slender legs, which demonstrate grace and strength, were part of his "battle" image. It was Louis XIV who made men's clothing luxurious and filled with status-defining details.
THE CULMINATION: FAMILY PORTRAIT AND ETERNITY
This family portrait reflects not only a personal history but also a dynastic project. Even within the family circle, Louis remained the central figure, the core around which the whole world revolved, like planets around the Sun.
Excerpt from the Edict on Etiquette (17th Century):
«Article VII. On Requirements for the Court:
...Requirement № 34: No member of the Court shall
turn their back to His Majesty, regardless of
circumstances, even upon departing, which is
considered the highest mark of respect.
Requirement № 35: Upon the King's appearance, all men
are obliged to remove their headwear; this rule
does not apply to Princes of the Blood...»
THE FINAL CHORD: BAROQUE MUSIC
Experience the atmosphere of the era through the music that played in the Hall of Mirrors. Baroque is grandeur and emotion, perfectly harmonizing with the Sun King.